2385 Congress Street • Portland, ME Dave Hamilton Anthony Inverso Joan Hopkins Risk Management • Construction Hospitality • Professional Liability Employee Benefits • Hi-Tech Cyber Liability • Bonds Home, Auto & Life www.clarkinsurance.com Josh Fifield Meet Josh. •Board Member of American Red Cross • Planning Committee Member of Opportunity Maine •Biddeford Saco Rotary Member Josh Ellis Senior Account Executive (207) 523-2297 •Specializes in Insuring the Construction Industry 438 Route One, Yarmouth 207-846-0444 www.thevillageframer.com The Village Framer Quality Custom Picture Framing Conservation ❧ Design ❧ Preservation 438 Route One, Yarmouth 207-846-0444 www.thevillageframer.com The Village Framer Quality Custom Picture Framing Conservation ❧ Design ❧ Preservation 438 Route One, Yarmouth 207-846-0444 The Village Framer Quality Custom Picture Framing Conservation ❧ Design ❧ Preservation F e b r u a r y / M a r c h 2 0 1 8 3 7 Legends pecially in the military, one of the few plac- es where men can express their love for oth- er men. But he was concerned with men acting heroically, thus the most macho guy was not always the most heroic. McLaglen often presented the comic side of blustery masculinity. Ford brought out Wayne’s ten- derness as well as his toughness, especially in Stagecoach. 7. Among the Westerns, the prosti- tute Dallas (Claire Trevor) in Stage- coach breaks your heart with her humanity and her yearning. She is a fully realized character, as is Maureen O’Hara in Fort Apache, fighting to save her young son from combat in the Indian Wars, war- ring with her estranged husband–played by Wayne, of course–whom she still loves. 8. Ford’s happiest moments? I’d say out on location in stark Monument Valley, listening to the coyotes in the distance heard over the strains of Danny Borzage playing “We Shall Gather at the River” on his accordion, his cast and crew around him, the studio mo- guls hundreds of miles away and thus non- interfering, the crepuscular light bouncing off the rock formations in the distance. Or aboard his yacht, The Araner , with his bud- dies John Wayne and Ward Bond, fishing and drinking. Drinking. 9. To the extent that moviegoers are searchers, can Ford’s movies guide us to a more thoughtful un- derstanding of our roles in the 21st century? I think Ford did try to grapple with the idea of what constituted heroic action–mostly in men but also in women–and what could save men from what I call testosterone poi- soning [though he would never have used that term!]. He loved the company of mas- culine men, but he knew a bully when he saw one. Ethan Edwards is one of his most challenging figures in that he is a bully, a racist, an example of toxic masculinity, but is humanized at the end of the movie when he changes his entire direction [I won’t give away the ending for those who have not yet seen this great film!]. In a sense, for what- ever reason, as it’s not spelled out, Edwards/ Wayne admits he has been fundamental- ly wrong and offers–through his actions–a life-changing apology. But it comes too late for him and he’s cast out of paradise. n