Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7 Page 8 Page 9 Page 10 Page 11 Page 12 Page 13 Page 14 Page 15 Page 16 Page 17 Page 18 Page 19 Page 20 Page 21 Page 22 Page 23 Page 24 Page 25 Page 26 Page 27 Page 28 Page 29 Page 30 Page 31 Page 32 Page 33 Page 34 Page 35 Page 36 Page 37 Page 38 Page 39 Page 40 Page 41 Page 42 Page 43 Page 44 Page 45 Page 46 Page 47 Page 48 Page 49 Page 50 Page 51 Page 52 Page 53 Page 54 Page 55 Page 56 Page 57 Page 58 Page 59 Page 60 Page 61 Page 62 Page 63 Page 64 Page 65 Page 66 Page 67 Page 68 Page 69 Page 70 Page 71 Page 72 Page 73 Page 74 Page 75 Page 76 Page 77 Page 78 Page 79 Page 80 Page 81 Page 82 Page 83 Page 84 Page 85 Page 86 Page 87 Page 88 Page 89 Page 90 Page 91 Page 92 Page 93 Page 94 Page 95 Page 96 Page 97 Page 98 Page 99 Page 100 Page 101 Page 102 Page 103 Page 104 Page 105 Page 106 Page 107 Page 108Offering the latest information, innovation and technology in sexual health CS Boutique | 424 Fore Street | Portland, ME 04101 | 207 871 0356 qualitycondoms.com o c t o b e r 2 0 1 6 1 3 nity to start a conversation about sculpture as an art form. John Powers, Cape Elizabeth Yes,“Maine Sculptors,ACatalog” is a catalog.The conversation about sculpture is well underway.See “Beyond Sculpture” [September 2016]; “Taking Flight” [May 2016]; and “Indiana’s Indianas” [Summerguide 2016].–Ed. Multi-Fassetted [Re: “Fassett Jewel,” Winterguide 2016] I will be able to get more on F.H. Fassett from my records. As you are aware, Edward F. was also an architect. He moved to Colora- do where he worked on the St. John’s in the Woods cathedral in Denver. Francis H. Gile Fassett, also an architect, moved from Maine to Yakima, WA, where he tried to establish a self-sustaining farm. He supported the farm with his work as an architect in Yakima. His son, Donald Gile Fassett, became a mechan- ical engineer. It was a joy to see the “Fassett Jewel” in person. Dana Fassett, Lacey, Washington Our man in Louisiana IjustsnappedaphotoofthisMarsdenHartley MainescapewhiletouringtheNewOrleans MuseumofArt[seeDanielKany’sSeptem- ber2016story“TheBodyInvisible:Marsden Hartley,”whichfeaturesthisverypainting, TheIceHole,Maine,1908].Themuseum’sde- scriptionreads:“WhenheexhibitedTheIce Hole,MaineinNewYork,thepainting’svi- brantcolorsandvigorousbrushworkshocked Americancritics.”Nottomentiontheholecut intotheiceintheforeground. Robert Witkowski, Portland Thanks for the heads-up [Re: “Long Shot,” September 2016, by Benja- min Rybeck] You misspelled Benjamin’s last name but got it right in the index and ending credits. P.S. Very nice magazine. Karl Rybeck, dad, Portland