Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7 Page 8 Page 9 Page 10 Page 11 Page 12 Page 13 Page 14 Page 15 Page 16 Page 17 Page 18 Page 19 Page 20 Page 21 Page 22 Page 23 Page 24 Page 25 Page 26 Page 27 Page 28 Page 29 Page 30 Page 31 Page 32 Page 33 Page 34 Page 35 Page 36 Page 37 Page 38 Page 39 Page 40 Page 41 Page 42 Page 43 Page 44 Page 45 Page 46 Page 47 Page 48 Page 49 Page 50 Page 51 Page 52 Page 53 Page 54 Page 55 Page 56 Page 57 Page 58 Page 59 Page 60 Page 61 Page 62 Page 63 Page 64 Page 65 Page 66 Page 67 Page 68 Page 69 Page 70 Page 71 Page 72 Page 73 Page 74 Page 75 Page 76 Page 77 Page 78 Page 79 Page 80 Page 81 Page 82 Page 83 Page 84 Page 85 Page 86 Page 87 Page 88 Page 89 Page 90 Page 91 Page 92 Page 93 Page 94 Page 95 Page 96 Page 97 Page 98 Page 99 Page 100 Page 101 Page 102 Page 103 Page 104 Page 105 Page 106 Page 107 Page 108 Page 109 Page 110 Page 111 Page 112 Page 113 Page 114 Page 115 Page 116 Page 117 Page 118 Page 119 Page 120 Page 121 Page 122 Page 123 Page 124 Page 125 Page 126 Page 127 Page 128 Page 129 Page 130 Page 131 Page 132 Page 133 Page 134 Page 135 Page 136 Page 137 Page 138 Page 139 Page 140The city of Leon is the 300-mile mark of our journey, just the place for a much needed day off from walking. I usually sketch quickly with a pen, adding loose, bright watercolor washes to capture the moment, but this ancient building with its complex lines, angles, and details was going tp take a slower, studied line. I started to draw, and with this sketch my art took me to closer understanding that I was on a pilgrimage. Odyssey 98 p O r t l a n d monthly magazine At the 100-mile mark of our jour- ney we arrived at the city of Logrono and went in search of the much-talked- about local tapas. After winding our way through the busy city streets, we found the most beautiful and delicious tapas imaginable. My journaling took the form of a sketch book. With pen- cils, pens, and watercolors in hand I recorded daily inspi- rations with a freeness and creative spirit that had been too long set aside. My sketch kit included a permanent ink pen, a permanent ink brush pen, a travel water brush, a small watercolor palette, and a couple of small water- color sketchbooks. It’s really just a small sampling of the supplies I have in my studio at home, but like everything else on the Camino, you simply must adjust. At the highest point of the route is La Cruz de Ferro. Many pilgrims bring a rock to place at the base of this holy iron cross. I carried two from the beach near my home in Maine to honor this tradition, which is said to be thousands of years old and meant to symbolize the casting off of your sorrows.