RETAIL INFORMATION HERE ®/™ ©2016 KitchenAid. All rights reserved. KEY22011. Form No. KX160329A ICONIC DESIGN BACKED BY SUPERIOR PERFORMANCE Visit your local KitchenAid brand retailer for more information on the full lineup of KitchenAid ® appliances RETAIL INFORMATION HERE ®/™ ©2016 KitchenAid. All rights reserved. KEY22011. Form No. KX160329A ICONIC DESIGN BACKED BY SUPERIOR PERFORMANCE Visit your local KitchenAid brand retailer for more information on the full lineup of KitchenAid ® appliances APPLIANCES, BEDDING, SALES & SERVICE Ask us about financing options. Route 302 - 54 Bridgton Road - Westbrook 800-797-3621 - www.lpapplianceme.com Monday - Friday 9am - 5pm | Saturday 9am - 12pm A P P L I A NCES ★ BED D I N G ★ S A LES ★ SERVI C E LP trends 72 p o r t l a n d monthly magazine intaglio from left: beer snob squad; meaghan maurice; Blair best (2) Pleasant Street. Walls are lined with type cases and drawers amid a scatter of lead type blocks and swathes of paper. Heavy manual machinery gives the interior the patina of antiquity. The overall impression? We must be on the set of a steampunk mov- ie. Owner David Wolfe rolled into Portland in 1979 to become a “printer’s devil” at An- thoensen Press, “sweeping floors, mainly,” he says. A graduate of fine art printmak- ing from Maryland Institute College of Art, Wolfe learned the slow, precise art of let- terpress printing using Linotype machines and giant cylinder printing presses. Even then, he’d become part of a reverse trend, when the world was shifting rapidly toward alternative modern methods. Did he ever fear he’d chosen a soon-to-be obsolete ca- reer path? “When Henry C. Thomas bought Anthoensen in 1982 and decided to mod- ernize, I could’ve gone down either path: employing the new methods or staying with the old ones,” he says. “In fact, the ‘powers that be’ offered me the opportu- nity to become head of the traditional let- terpress department, replacing my friend Harry Milliken. They wanted to push the old guard out. That didn’t sit well with me, so Harry and I left to start Shagbark Press in 1984.” Out of the Ashes In those years, a traditional print shop could be built on a dime. “I started out with nothing,” Wolfe says, standing within his empire of iron and paper. “There’s no way I would’ve been able to buy all of this if it weren’t for the flux the industry was in at the time. Companies were practically giv- ing away inventory. I have machinery from Anthoensen, Curry Printing, Stinehour Press. “This cost me a thousand dollars.” He points to an eight-foot Linotype ma- chine, a mad-scientist tangle of keys and le- vers. “I was told the Press Herald got rid of Partially obscured by ivy,the Market Street-facing wall of theThirsty Pig is a palimpsest of theAnthoensen Press, which occupied the space up until 1987.