{"id":10905,"date":"2015-08-28T12:56:53","date_gmt":"2015-08-28T16:56:53","guid":{"rendered":"http:\/\/www.portlandmonthly.com\/portmag\/?p=10905"},"modified":"2015-08-28T12:56:53","modified_gmt":"2015-08-28T16:56:53","slug":"september-2015","status":"publish","type":"post","link":"https:\/\/www.portlandmonthly.com\/portmag\/september-2015\/","title":{"rendered":"September 2015"},"content":{"rendered":"<h3 class=\"p1\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-10907\" src=\"http:\/\/www.portlandmonthly.com\/portmag\/wp-content\/uploads\/2015\/08\/SEPT15-Cover.jpg\" alt=\"SEPT15-Cover\" width=\"260\" height=\"338\" srcset=\"https:\/\/www.portlandmonthly.com\/portmag\/wp-content\/uploads\/2015\/08\/SEPT15-Cover.jpg 260w, https:\/\/www.portlandmonthly.com\/portmag\/wp-content\/uploads\/2015\/08\/SEPT15-Cover-231x300.jpg 231w, https:\/\/www.portlandmonthly.com\/portmag\/wp-content\/uploads\/2015\/08\/SEPT15-Cover-200x260.jpg 200w\" sizes=\"(max-width: 260px) 100vw, 260px\" \/>Art&amp; Style<\/h3>\n<p><span class=\"s3\">51<\/span><i> <\/i><b>Maine Painters, A Catalog<br \/>\n<\/b>48-page special report: A compendium\u00a0across the centuries.<br \/>\n<i>Curated by Honour Mack,\u00a0<\/i><i>Andres Verzosa &amp; Bruce Brown<\/i><\/p>\n<p class=\"p3\"><span class=\"s3\">109<\/span><i> <\/i><span class=\"s5\"><b>Weaves of Grass<br \/>\n<\/b><\/span>Basket maker Clara Neptune Keezer takes her life into her hands.<span class=\"s5\"><b><br \/>\n<\/b><\/span><i>By Bunny McBride<\/i><\/p>\n<p><span class=\"s3\">113<\/span><i> <\/i><span class=\"s5\"><b>Sticking To The Art<br \/>\n<\/b><\/span>Maine\u2019s David Driskell navigates the Cosby controversy.<span class=\"s5\"><b><br \/>\n<\/b><\/span><i>From Staff &amp; Wire Reports<\/i><\/p>\n<p><span class=\"s3\">115<\/span><i> <\/i><span class=\"s5\"><b>Warhol Lobsters<br \/>\n<\/b><\/span>Join the blue lobster cult.<span class=\"s5\"><b><br \/>\n<\/b><\/span><i>By Colin W. Sargent<br \/>\n<\/i><span class=\"s3\"><br \/>\n141<\/span><i> <\/i><span class=\"s5\"><b>Fiction<br \/>\n<\/b><\/span>\u201cToil &amp; Trouble\u201d<br \/>\n<i>by Brian Daly<br \/>\n<\/i><\/p>\n<h3><span class=\"s2\">Perspectives<b><\/b><\/span><\/h3>\n<p><span class=\"s3\">12<\/span><i> <\/i><span class=\"s5\"><b>From the Editor<\/b><\/span><\/p>\n<p><span class=\"s3\">14<\/span><i> <\/i><span class=\"s5\"><b>Letters<\/b><\/span><i><\/i><\/p>\n<p><span class=\"s3\">47<\/span><i> <\/i><span class=\"s5\"><b>Star Quality<br \/>\n<\/b><\/span>Photographer Aaron Priest rules the night sky.<span class=\"s5\"><b><br \/>\n<\/b><\/span><i>Interview by Becca Carifio<\/i><\/p>\n<p><span class=\"s3\">125<\/span><i> <\/i><span class=\"s5\"><b>L\u2019Esprit de l\u2019Escalier<br \/>\n<\/b><\/span>\u201cTwo Names For Everything.\u201d<span class=\"s5\"><b><br \/>\n<\/b><\/span><i>By Rhea C\u00f4t\u00e9 Robbins<\/i><span class=\"s2\"><b><br \/>\n<\/b><\/span><\/p>\n<h3>Personalities<\/h3>\n<p>42<i> <\/i><span class=\"s5\"><b>Mirror On Maine<br \/>\n<\/b><\/span>Painter Richard Estes, at\u00a0home in Northeast Harbor.<span class=\"s5\"><b><br \/>\n<\/b><\/span><i>By Daniel Kany<\/i><\/p>\n<p><span class=\"s3\">101<\/span><i> <\/i><span class=\"s5\"><b>A Man In Full<br \/>\n<\/b><\/span>Who knew Jonathan Edwards is living in Cape Elizabeth?<span class=\"s5\"><b><br \/>\n<\/b><\/span><i>Interview by Colin W. Sargent<\/i><\/p>\n<p>144<i> <\/i><span class=\"s5\"><b>Flash<\/b><\/span><\/p>\n<h3>Food &amp;Drink<\/h3>\n<p><b>Morning Glory<br \/>\n<\/b>Portland is bakery heaven.<br \/>\n<i>By Claire Z. Cramer<br \/>\n<\/i><\/p>\n<p class=\"p3\"><span class=\"s3\">126<\/span><i> <\/i><span class=\"s5\"><b>Dining Guide<br \/>\n<\/b><\/span><span class=\"s3\"><br \/>\n127<\/span><i> <\/i><span class=\"s5\"><b>Restaurant Review<br \/>\n<\/b><\/span>Terlingua lands in East Bayside.<\/p>\n<h3>Shelter &amp; Design<\/h3>\n<p><span class=\"s3\">129<\/span><i> <\/i><span class=\"s5\"><b>House of the Month<br \/>\n<\/b><\/span>The historic Hugh McCulloch House in Kennebunk.<br \/>\n<span class=\"s7\"><b><br \/>\n<\/b><\/span><span class=\"s3\">132 <\/span><span class=\"s5\"><b>New England\u00a0Homes &amp; Living<br \/>\n<\/b><\/span><\/p>\n<h3>Maine Life<\/h3>\n<p class=\"p6\"><span class=\"s3\">17<\/span><i> <\/i><b>Maine Classics<\/b><\/p>\n<p><span class=\"s3\">19<\/span><i> <\/i><b>Experience<\/b><\/p>\n<p><span class=\"s3\">26 <\/span><b>Maine Fall Guide<\/b><\/p>\n<p><span class=\"s3\">35<\/span><i> <\/i><b>Chowder<\/b><span class=\"s3\"><br \/>\n<\/span><\/p>\n<p class=\"p7\"><span class=\"s3\">37<\/span><i> <\/i><span class=\"s5\"><b>Portland After Dark: Night Galleries:<br \/>\n<\/b><\/span>Fine art pairs well with cocktails and fine dining.<span class=\"s5\"><b><br \/>\n<\/b><\/span><i>By Claire Z. Cramer<\/i><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Art&amp; Style 51 Maine Painters, A Catalog 48-page special report: A compendium\u00a0across the centuries. Curated by Honour Mack,\u00a0Andres Verzosa &amp; Bruce Brown 109 Weaves of Grass Basket maker Clara Neptune Keezer takes her life into her hands. By Bunny McBride 113 Sticking To The Art Maine\u2019s David Driskell navigates the Cosby controversy. From Staff &amp; [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":10907,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[10],"tags":[96],"class_list":["post-10905","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-toc","tag-september-2015"],"_links":{"self":[{"href":"https:\/\/www.portlandmonthly.com\/portmag\/wp-json\/wp\/v2\/posts\/10905","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.portlandmonthly.com\/portmag\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.portlandmonthly.com\/portmag\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.portlandmonthly.com\/portmag\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.portlandmonthly.com\/portmag\/wp-json\/wp\/v2\/comments?post=10905"}],"version-history":[{"count":2,"href":"https:\/\/www.portlandmonthly.com\/portmag\/wp-json\/wp\/v2\/posts\/10905\/revisions"}],"predecessor-version":[{"id":10908,"href":"https:\/\/www.portlandmonthly.com\/portmag\/wp-json\/wp\/v2\/posts\/10905\/revisions\/10908"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.portlandmonthly.com\/portmag\/wp-json\/wp\/v2\/media\/10907"}],"wp:attachment":[{"href":"https:\/\/www.portlandmonthly.com\/portmag\/wp-json\/wp\/v2\/media?parent=10905"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.portlandmonthly.com\/portmag\/wp-json\/wp\/v2\/categories?post=10905"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.portlandmonthly.com\/portmag\/wp-json\/wp\/v2\/tags?post=10905"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}