{"id":6418,"date":"2012-08-24T09:58:54","date_gmt":"2012-08-24T16:58:54","guid":{"rendered":"http:\/\/www.portlandmonthly.com\/portmag\/?p=6418"},"modified":"2012-08-24T10:43:40","modified_gmt":"2012-08-24T17:43:40","slug":"yoshis-choice","status":"publish","type":"post","link":"https:\/\/www.portlandmonthly.com\/portmag\/yoshis-choice\/","title":{"rendered":"&#8216;Yoshi&#8217;s Choice"},"content":{"rendered":"<p>September 2012<\/p>\n<h3>Imagine being\u00a0a Japanese painter in the Ogunquit Art Colony, learning Pearl Harbor\u2019s been attacked.<\/h3>\n<p>By Tom Wolf<\/p>\n<div title=\"Page 3\">\n<p>The summers Yasuo Kuniyoshi (1893-1953) spent in Ogunquit in the late 1910s and \u201920s were crucial to his rise to success, as he became one of the most celebrated artists in the United States between the two World Wars.<\/p>\n<p><a href=\"http:\/\/www.portlandmonthly.com\/pdf\/yoshi%27s%20choice.pdf\" target=\"_blank\">view this story as a .pdf<\/a><\/p>\n<p><a href=\"http:\/\/www.portlandmonthly.com\/portmag\/wp-content\/uploads\/2012\/08\/after-the-bath-PMA-FPO.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-6463\" title=\"after-the-bath-PMA-FPO\" src=\"http:\/\/www.portlandmonthly.com\/portmag\/wp-content\/uploads\/2012\/08\/after-the-bath-PMA-FPO.jpg\" alt=\"\" width=\"283\" height=\"352\" srcset=\"https:\/\/www.portlandmonthly.com\/portmag\/wp-content\/uploads\/2012\/08\/after-the-bath-PMA-FPO.jpg 283w, https:\/\/www.portlandmonthly.com\/portmag\/wp-content\/uploads\/2012\/08\/after-the-bath-PMA-FPO-241x300.jpg 241w\" sizes=\"(max-width: 283px) 100vw, 283px\" \/><\/a><\/p>\n<p><a href=\"http:\/\/www.portlandmonthly.com\/portmag\/wp-content\/uploads\/2012\/08\/yoshi.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-6462\" title=\"yoshi\" src=\"http:\/\/www.portlandmonthly.com\/portmag\/wp-content\/uploads\/2012\/08\/yoshi.jpg\" alt=\"\" width=\"495\" height=\"397\" srcset=\"https:\/\/www.portlandmonthly.com\/portmag\/wp-content\/uploads\/2012\/08\/yoshi.jpg 495w, https:\/\/www.portlandmonthly.com\/portmag\/wp-content\/uploads\/2012\/08\/yoshi-300x240.jpg 300w\" sizes=\"(max-width: 495px) 100vw, 495px\" \/><\/a><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>September 2012<br \/>\nImagine being a Japanese painter in the Ogunquit Art Colony, learning Pearl Harbor\u2019s been attacked.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[8],"tags":[],"class_list":["post-6418","post","type-post","status-publish","format-standard","hentry","category-featured"],"_links":{"self":[{"href":"https:\/\/www.portlandmonthly.com\/portmag\/wp-json\/wp\/v2\/posts\/6418","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.portlandmonthly.com\/portmag\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.portlandmonthly.com\/portmag\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.portlandmonthly.com\/portmag\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.portlandmonthly.com\/portmag\/wp-json\/wp\/v2\/comments?post=6418"}],"version-history":[{"count":11,"href":"https:\/\/www.portlandmonthly.com\/portmag\/wp-json\/wp\/v2\/posts\/6418\/revisions"}],"predecessor-version":[{"id":6635,"href":"https:\/\/www.portlandmonthly.com\/portmag\/wp-json\/wp\/v2\/posts\/6418\/revisions\/6635"}],"wp:attachment":[{"href":"https:\/\/www.portlandmonthly.com\/portmag\/wp-json\/wp\/v2\/media?parent=6418"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.portlandmonthly.com\/portmag\/wp-json\/wp\/v2\/categories?post=6418"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.portlandmonthly.com\/portmag\/wp-json\/wp\/v2\/tags?post=6418"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}