{"id":6426,"date":"2012-08-24T10:04:37","date_gmt":"2012-08-24T17:04:37","guid":{"rendered":"http:\/\/www.portlandmonthly.com\/portmag\/?p=6426"},"modified":"2012-08-27T06:49:46","modified_gmt":"2012-08-27T13:49:46","slug":"fresh-catch-extras","status":"publish","type":"post","link":"https:\/\/www.portlandmonthly.com\/portmag\/fresh-catch-extras\/","title":{"rendered":"Fresh Catch (extras)"},"content":{"rendered":"<p>September 2012<\/p>\n<p>Additional museum purchases:<\/p>\n<p><strong>Portland Museum of Art<\/strong><\/p>\n<p>Brian White (United States, b.1960)<em><br \/>\nMussell Dress,<\/em> 2001<br \/>\nshell, steel<\/p>\n<p>Max Weber (United States, b.1881, d.1961)<em><br \/>\nMaine Night<\/em>, 1914<br \/>\ngouache on paper<\/p>\n<p>Carol Rowan (United States, b.1960)<em><br \/>\nGorham Barn<\/em>, 2009<br \/>\ngraphite on paper<\/p>\n<p>Don Voisine (United States, b.1952)<em><br \/>\nHigh Time<\/em>, 2008<br \/>\noil on wood<\/p>\n<p>Heath Paley (United States, b.1948)<em><br \/>\nWindow Seats<\/em>, 2010<br \/>\npigment inkjet print<\/p>\n<p>James Groleau (United States, b.1960)<em><br \/>\nSinjar Karbala Basra<\/em>, 2008<br \/>\nmezzotint<\/p>\n<p>James Groleau (United States, b.1960)<em><br \/>\nArbil Rubia Riyadh<\/em> , 2008<br \/>\nmezzotint<\/p>\n<p>David Driskell (United States, b.1931)<em><br \/>\nPine and Moon<\/em> , 1971<br \/>\noil on masonite<\/p>\n<p>Berenice Abbott (United States, b.1898, d.1991)<br \/>\n<em>10 Photographs Portfolio<\/em>, 1976<br \/>\ngold toned gelatin silver prints<\/p>\n<p>Robert Doisneau (France, b.1912, d.1994)<br \/>\n<em>Portraits Portfolio<\/em>, 1984<br \/>\ngelatin silver prints<\/p>\n<p>Sol Lewitt (United States, b.1928)<em><br \/>\nBenziger Print<\/em>, 1998<br \/>\nwoodcut on Zangetsu handmade paper<\/p>\n<p>Siri Sahaj Kaur (United States, b.1976)<em><br \/>\nKristie<\/em>, 2007<br \/>\nchromogenic print<\/p>\n<p>August Ventimiglia (United States, b.1972)<em><br \/>\nUntitled (Black Twist)<\/em>, 2011<br \/>\nchalk on paper<\/p>\n<p>Philip Brou (United States, b.1977)<br \/>\n<em>Black Box<\/em>, 2010<br \/>\nscale model reconstruction:\u00a0 wood, fabric, plastics, paint<\/p>\n<p>Arnold Anderson (b.1895)<em><br \/>\nWinslow Homer&#8217;s Studio, Prouts Neck, Maine<\/em>, 1931<br \/>\netching<\/p>\n<p>William Powell Frith (England, b.1819, d.1909)<em><br \/>\nA Victorian Room<\/em>, nd<br \/>\noil on canvas<\/p>\n<p>Carl Sprinchorn (United States (b. Sweden) b.1887, d.1971)<em><br \/>\nM.H. &#8220;Peace, Poetry, and Place\u201d<\/em>, 1961<br \/>\nwax crayon, pencil and ink on paper<\/p>\n<p>Lisa Ennis (United States)<em><br \/>\nFishing Weir Study III<\/em>, 2011<br \/>\ntoned gelatin silver print<\/p>\n<p>Robert Disraeli (United States, b.1905, d.1987)<br \/>\n<em>William Zorach, His Studio on Clinton&#8217;s Court, Brooklyn, NY<\/em>, 1935<br \/>\ngelatin silver print (vintage)<\/p>\n<p>Matthew Robbins (United States), David Foster Wallace (United States)<em><br \/>\nConsider the Lobster<\/em>, 2011<br \/>\nbound volume with photographic prints<\/p>\n<p>Linden Frederick (United States, b.1953)<em><br \/>\nWharf<\/em>, 2010<br \/>\noil on canvas mounted on board<\/p>\n<p><strong>Bates College Museum of Art<\/strong><\/p>\n<p>Enrique Chagoya<br \/>\n<em>Illegal Alien\u2019s Guide to Relative Surplus Value<\/em>, 2009<br \/>\ncolor lithograph on amate paper, 15 x 80 inches.<\/p>\n<p>Enrique Chagoya<br \/>\n<em>La Portentosa Vida de la Muerte<\/em>, 2003<br \/>\ncolor lithograph with chine coll\u00e9, 17 x 14 inches, ed. 30<\/p>\n<p>Enrique Chagoya<br \/>\n<em>La Portentosa Vida de la Muerte II<\/em>, 2008<br \/>\ncolor lithograph, 17 x 14 inches, ed. 30<\/p>\n<p>Amy Stacy Curtis<br \/>\n<em>9 Hours<\/em>, 2009<br \/>\ncharcoal and graphite on paper, 22 \u00bd x 22 \u00bd inches<\/p>\n<p>Joseph Delaney<br \/>\n<em>Woman in Yellow Dress<\/em>, 1959,<br \/>\noil on board, 28 x 21 \u00be inches<\/p>\n<p>Joseph Delaney <em><br \/>\nWatercolor Nude<\/em>, n.d.<br \/>\nwatercolor on paper, 19 x 12 inches<\/p>\n<p>Marsden Hartley<br \/>\n<em>Mt. Katahdin No. 4<\/em>, 1939<br \/>\ngraphite on paper, 11 5\/8 x 13 7\/8 inches<\/p>\n<p>Brad Kahlhamer<br \/>\n<em>Skull Project<\/em>, portfolio of six intaglio prints<br \/>\n22 x 19 \u00bd inches each, ed. 21\/22<\/p>\n<p>Max Klinger<br \/>\n<em>Intermezzi<\/em>, portfolio of twelve etching and aquatints<br \/>\n24 13\/16 x 17 11\/16 inches each<\/p>\n<p>Odilon Redon<br \/>\n<em>Ensuite para\u00eet un \u00eatre singulier (Then there appeared a peculiar creature)<\/em><br \/>\n1888, lithograph on chine appliqu\u00e9, 17 5\/8 x 12 3\/8 inches<\/p>\n<p>Odilon Redon<br \/>\n<em>Lettres d&#8217;Odilon Redon<\/em>, 1878-1916<br \/>\npublished 1923, an illustrated book with two etching and drypoints, and one etching, printed in 1866, 1880, and 1904, edition 19\/110<\/p>\n<p>Various<br \/>\n<em>Occuprint Portfolio<\/em>, 2012<br \/>\nthirty hand silk-screened prints, 12\u201d x 18\u201d inches each<\/p>\n<p>Xiaoze Xie<br \/>\n<em>January \u2013 April 2004, M.N.<\/em><br \/>\nsilk-screen on rice paper, 26 \u00bd x 41 \u00be inches, edition 20\/35<\/p>\n<p>Xiaoze Xie<br \/>\n<em>The MoMA Library (1390p)<\/em>, 2006<br \/>\nphotogravure print on paper, 22 x 27 inches, edition 25\/30<\/p>\n<p>Africa, Ivory Coast: Senufo carved polychromed wood fire spirit mask<\/p>\n<p>Africa, Ivory Coast: Baule carved polychromed wood fire spirit mask<\/p>\n<p>Africa, Zaire: Kuba applique raffia women\u2019s skirt<\/p>\n<p>Africa, Sudan: Doll figure<\/p>\n<p>Africa, Tanzania: Makuonde carved wood and metal horn<\/p>\n<p>Africa, Zaire: Bamba large ceramic beer vessel<\/p>\n<p>Africa, Zaire: two Songye large old ceramic vessels<\/p>\n<p>Africa, Zaire: Songye carved polychromed wood ceremonial Mask<\/p>\n<p><strong>Colby College Museum of Art<\/strong><\/p>\n<p>Enrique Chagoya (American, b. 1963, Mexico)<br \/>\n<em>Escape from Fantasylandia: An Illegal Alien&#8217;s Survival Guide<\/em>, 2011<br \/>\nColor lithograph, 9 1\/2 x 80&#8243;<br \/>\nLink to views of this work:<br \/>\n<a href=\"http:\/\/www.sharksink.com\/printview.asp?printid=521&amp;artists=15\">http:\/\/www.sharksink.com\/printview.asp?printid=521&amp;artists=15<\/a><\/p>\n<p>Sherrie Levine (American, b. 1947)<br \/>\n<em>Barcham Green Portfolio<\/em>, 1986<br \/>\nA portfolio of five prints, including aquatints and photogravures<br \/>\n31 x 22 1\/2 each<\/p>\n\n\t\t<style type=\"text\/css\">\n\t\t\t#gallery-1 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 33%;\n\t\t\t}\n\t\t\t#gallery-1 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-1' class='gallery galleryid-6426 gallery-columns-3 gallery-size-thumbnail'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.portlandmonthly.com\/portmag\/wp-content\/uploads\/2012\/08\/2011.5.1.1_001_ed.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.portlandmonthly.com\/portmag\/wp-content\/uploads\/2012\/08\/2011.5.1.1_001_ed-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.portlandmonthly.com\/portmag\/wp-content\/uploads\/2012\/08\/2011.5.1.5_001_ed.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.portlandmonthly.com\/portmag\/wp-content\/uploads\/2012\/08\/2011.5.1.5_001_ed-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.portlandmonthly.com\/portmag\/wp-content\/uploads\/2012\/08\/Arnold-Andersom-Winslow-homers-Studio-Prouts-Neck-Maine-1931.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.portlandmonthly.com\/portmag\/wp-content\/uploads\/2012\/08\/Arnold-Andersom-Winslow-homers-Studio-Prouts-Neck-Maine-1931-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.portlandmonthly.com\/portmag\/wp-content\/uploads\/2012\/08\/Ceremonial-Beer-Vessel-Bamba-Peoples-Democratic-Republic-of-Congo-20th-century-ceramic.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.portlandmonthly.com\/portmag\/wp-content\/uploads\/2012\/08\/Ceremonial-Beer-Vessel-Bamba-Peoples-Democratic-Republic-of-Congo-20th-century-ceramic-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.portlandmonthly.com\/portmag\/wp-content\/uploads\/2012\/08\/Ceremonial-Helmet-Mask-Baule-Peoples-Ivory-Coast-20th-century-polychromed-wood.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.portlandmonthly.com\/portmag\/wp-content\/uploads\/2012\/08\/Ceremonial-Helmet-Mask-Baule-Peoples-Ivory-Coast-20th-century-polychromed-wood-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.portlandmonthly.com\/portmag\/wp-content\/uploads\/2012\/08\/Ceremonial-Mask-Songye-Peoples-Democratic-Republic-of-Congo-20th-century-carved-and-polychromed-wood-and-hair.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.portlandmonthly.com\/portmag\/wp-content\/uploads\/2012\/08\/Ceremonial-Mask-Songye-Peoples-Democratic-Republic-of-Congo-20th-century-carved-and-polychromed-wood-and-hair-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.portlandmonthly.com\/portmag\/wp-content\/uploads\/2012\/08\/Dave-Lowenstein-Tip-of-the-Iceberg-from-the-Occuprint-Portfolio-Brooklyn-Artists-Alliance-2011-stencil-print-ed-20.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.portlandmonthly.com\/portmag\/wp-content\/uploads\/2012\/08\/Dave-Lowenstein-Tip-of-the-Iceberg-from-the-Occuprint-Portfolio-Brooklyn-Artists-Alliance-2011-stencil-print-ed-20-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.portlandmonthly.com\/portmag\/wp-content\/uploads\/2012\/08\/jackson-EVElg-Courtasy-of-Farnsworth-Museum.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.portlandmonthly.com\/portmag\/wp-content\/uploads\/2012\/08\/jackson-EVElg-Courtasy-of-Farnsworth-Museum-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.portlandmonthly.com\/portmag\/wp-content\/uploads\/2012\/08\/Marsden-Hartley-Mount-Katahdin-no-4-1939-charcoal-on-paper.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.portlandmonthly.com\/portmag\/wp-content\/uploads\/2012\/08\/Marsden-Hartley-Mount-Katahdin-no-4-1939-charcoal-on-paper-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.portlandmonthly.com\/portmag\/wp-content\/uploads\/2012\/08\/Xiaoze-Xie-January-April-2004-MN-Moscow-News-2004-silkscreen-ed-35.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.portlandmonthly.com\/portmag\/wp-content\/uploads\/2012\/08\/Xiaoze-Xie-January-April-2004-MN-Moscow-News-2004-silkscreen-ed-35-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.portlandmonthly.com\/portmag\/wp-content\/uploads\/2012\/08\/Xiaoze-Xie-The-MoMa-Library-139-p-2006-photogravure-ed-30.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.portlandmonthly.com\/portmag\/wp-content\/uploads\/2012\/08\/Xiaoze-Xie-The-MoMa-Library-139-p-2006-photogravure-ed-30-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.portlandmonthly.com\/portmag\/wp-content\/uploads\/2012\/08\/Zoomorphic-Helmet-Mask-Senufo-Peoples-Ivory-Coast-20th-century-polychromed-wood.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.portlandmonthly.com\/portmag\/wp-content\/uploads\/2012\/08\/Zoomorphic-Helmet-Mask-Senufo-Peoples-Ivory-Coast-20th-century-polychromed-wood-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p><a href=\"http:\/\/www.portlandmonthly.com\/portmag\/wp-content\/uploads\/2012\/08\/Arnold-Andersom-Winslow-homers-Studio-Prouts-Neck-Maine-1931.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-thumbnail wp-image-6518\" title=\"Arnold-Andersom,-'Winslow-homer's-Studio,-Prouts-Neck,-Maine',-1931\" src=\"http:\/\/www.portlandmonthly.com\/portmag\/wp-content\/uploads\/2012\/08\/Arnold-Andersom-Winslow-homers-Studio-Prouts-Neck-Maine-1931-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>September 2012 Additional museum purchases: Portland Museum of Art Brian White (United States, b.1960) Mussell Dress, 2001 shell, steel Max Weber (United States, b.1881, d.1961) Maine Night, 1914 gouache on paper Carol Rowan (United States, b.1960) Gorham Barn, 2009 graphite on paper Don Voisine (United States, b.1952) High Time, 2008 oil on wood Heath Paley [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[12],"tags":[],"class_list":["post-6426","post","type-post","status-publish","format-standard","hentry","category-extras"],"_links":{"self":[{"href":"https:\/\/www.portlandmonthly.com\/portmag\/wp-json\/wp\/v2\/posts\/6426","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.portlandmonthly.com\/portmag\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.portlandmonthly.com\/portmag\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.portlandmonthly.com\/portmag\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.portlandmonthly.com\/portmag\/wp-json\/wp\/v2\/comments?post=6426"}],"version-history":[{"count":7,"href":"https:\/\/www.portlandmonthly.com\/portmag\/wp-json\/wp\/v2\/posts\/6426\/revisions"}],"predecessor-version":[{"id":6645,"href":"https:\/\/www.portlandmonthly.com\/portmag\/wp-json\/wp\/v2\/posts\/6426\/revisions\/6645"}],"wp:attachment":[{"href":"https:\/\/www.portlandmonthly.com\/portmag\/wp-json\/wp\/v2\/media?parent=6426"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.portlandmonthly.com\/portmag\/wp-json\/wp\/v2\/categories?post=6426"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.portlandmonthly.com\/portmag\/wp-json\/wp\/v2\/tags?post=6426"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}