MEAT MARKET Quality meats cut fresh daily Homemade sausages Custom orders are our specialty. GROCERY STORE Fresh produce & groceries Fine wine & local craft beer DELICATESSEN Cold cuts & fine cheeses Homemade soups Sandwiches & salads cud We are proud to carry many local products as well as the national standards. 207-772-3961 www.patsmeatmart.com 484 Stevens Avenue, Portland s e p t e m B e r 2 0 1 8 8 1 isn’t that Tabitha King who retrieved three wad- ded up sheets of paper that were the be- ginning of Carrie from the trash. The nov- el ultimately ignited Stephen’s career and brought nearly 100 more novels to book- store shelves. CatChing FlaMes On May 18, Joe Hill, a New York Times best-selling author, tweeted, “Another writ- er I admire also has a story available on the internet.” In the tweet, Hill provided a link to a 32-page manuscript by his father, Ste- phen King. Born Joseph Hillstrom King on June 4, 1972, Joe recalls that throughout his childhood he’d write stories and share them with his parents. Since age 13, he’s maintained a daily writing routine, com- pleting at least four books by the time he was in his mid-teens. But it was during his time at Vassar College (where brother Owen also graduated) when the writer Joe Hill was born. “When I went into writing,” Hill confid- ed to The Telegraph in 2016, “I had to know that if someone bought one of my stories they’d bought it for the right reasons—that it is a good story and not because of who my dad is.” Joe Hill, now 47, divorced, a father of three, and living in New Hampshire, has since learned to make peace with his dad’s fame, telling GQ in 2017, “I sort of put aside my pride and started writing screenplays as Joseph King.” In fact, it was a screenplay that Joe and Owen wrote together that produced a paycheck. After three years of working on the su- pernatural murder mystery Fadeaway, “we came up with a script that up to this day I still feel is one of the best things I’ve ever been involved with,” Hill says. Meanwhile, Hill’s fourth novel, The Fire- man, was published, pushing him to the top of The New York Times best sellers list. “Hill’s work is often compared to that of his father Stephen King, but it is time we treat- ed him as standing on his own,” writes The Guardian’s James Smythe. Leading up to The Fireman, Hill and his father had collaborated, too. In 2009, Joe and Stephen wrote the novella Throt- tle. Their second novella, In the Tall Grass, came out in 2012. Netflix recently an- nounced buying the rights to In the Tall Grass, with plans to adapt it into a fea- ture film. disappearing into storytelling A s for how much labor goes in- to a labor of love, “The first draft of [Sleeping Beauties] took some- thing like 10 months to write,” Owen says. “There was additional writing on either end, though.” He and Stephen “started out writing the story as a television script and actually had two full episodes. When we switched to prose, we used those episodes as narrative blueprints. Then, once we had a first draft, it took us a while to get the book into its final shape. If you put it altogether, there was probably twenty months of writ- ing that went into Sleeping Beauties. The collaboration was honestly such a delight. It was so fun to plan stuff out with my dad